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contemporary art
Modernism Łódź graffiti theater queer culture science net art Artur Żmijewski Jesus identity pragmatism perception conversion freedom turns in the humanities turn radical change negative and positive crises continuity and discontinuity in art empathy Robert Vischer performativity Kant Wilhelm Worringer David Freedberg Michael Fried cultural turns aestheticisation aesthetic indistinction aesthetic de-differentiation aesthetics differen- tiation death of art theoretical turn in art nominalism feeling sensus communis Duchamp de Duve Jacques Rancière Zoon Politikon Friedrich Schiller Berlin Biennale socially engaged art visual communication data visualization pictorial turn iconic turn electronic art interactivity immateriality electronic galleries and museums technology performative turn Paul Klee performative geometry motion of the lines conceptism conceptualism contextualism extension intension linguistic turn metaphysics escape from metaphysics end of art metaphysical turn visual turn art of failure aesthetic of reception semiotic in architecture colonial architecture curatorial turn museum exhibitions Africa decolonisation post-colonialism modernist architecture urban regeneration place promotion city identity polish contemporary architecture architectural changes comics visual narrative self-reflexive turn space in the theatre stage design Japanese fashion Issey Miyake Yohij Yamamoto Rei Kawakubo fashion deconstruction japonism Imperial Academy of Arts in Saint Petersburg Ignacy Szczedrowski (1815–1870) Konstanty Kukiewicz (1817/18–1840) Tadeusz Gorecki (1825–1868) academic education Jewish art Judaism street art aesthetics Immanuel Kant disillusion performance art transformation Theodor Lipps Heinrich Wőlfflin visual culture “African Art” Murals multimedia post-socialist city graphic novel
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